ANALOGUE PRACTICES IN DIGITAL LANDSCAPES, 2023, Documentary

In this film, I experiment with ethnographic research methods and modes of representation to depict analogue film communities, filmmaking practices in Berlin and Vienna, and the mechanical repair and photography milieus in Istanbul.

In an age marked by digital technologies, this film chronicles the everyday lives of artists working with obsolete or abandoned technologies and the mechanics and retailers who keep them alive.  
     
     
Screenings
30.11.2023 14th Ethnofest – Athens Ethnographic Film Festival
26.11.2023 5th Festival of Engaged Ethnographic Film Vizantrop, Belgrade
06.10.2023 12th Taiwan International Ethnographic Film Festival
26.09.2023 KRATFEST North Macedonia 


 BARBER QUEEN, 2019, Documentary, Işıl Karataş, Pia Bühler, Viktoria Kostova, Joyce Stefanova

BARBER QUEEN is a synesthetic experience, which takes the audience to the hypersensitive world of various delicate changes of the self, illuminating the intimate stories of five different individuals who are undergoing visual transformations. The stories are intertwined, and therefore all the scenes are combined into a series of close-ups metaphorically implying the experiencing of various sensations, emotions, and feelings, creating a playful dialogue between all participants.   Screenings: 20.07.2019 Ethnographic Museum in Belgrade - 04.10.2019 Unseen Festival Cavtat - 05.10.2019 Cinematheque of the Republic of Northern Macedonia - 09.11.2019 Balkan Express Conference, Prague - 08.10.2019 International Festival of Ethnographic Film, Manak’s House, Belgrade - 09.14.03.2021 International Union of Anthropological and Ethnological Sciences Congress - 12.-18.04.2021 CULTUREELS – Ethnographic Film Festival 2021 - 19.-24.06.2021 SIEF2021 15th Congress - 6.-9.9.2022  Anthropology and Film Programme of the 8th Congress of the Portuguese Anthropological Association.


 BÜLBÜL,2016, Documentary
Screenshot 2023-11-04 at 08.40.15

ᴛʜʀᴇᴇ.ᴍᴜsɪᴄɪᴀɴs.ᴛʀᴀᴠᴇʟ.ғʀᴏᴍ.ʙᴇʀʟɪɴ.ᴛᴏ.ɪsᴛᴀɴʙᴜʟ.ᴡʜɪʟᴇ.ᴘᴇʀғᴏʀᴍɪɴɢ.ᴏɴ.ᴛʜᴇ.sᴛʀᴇᴇᴛs,ɪɴ.ғᴏʀᴇsᴛs.ᴀɴᴅ.ᴅᴇsᴇʀᴛᴇᴅ.ᴘʟᴀᴄᴇs.ᴡʜɪᴄʜ.ᴛʜᴇʏ.ғɪɴᴅ.ᴏɴ.ᴛʜᴇɪʀ.ʀᴏᴜᴛᴇ.ᴛʜᴇ.ᴍᴜsɪᴄ.ᴇᴠᴏʟᴠᴇs.ᴡɪᴛʜ.ᴛʜᴇ.ᴘᴇᴄᴜʟɪᴀʀ.sᴄᴇɴᴇʀɪᴇs.ᴀɴᴅ.ᴛʜᴇ.ᴀᴜᴅɪᴇɴᴄᴇ.-.ғʀᴏᴍ.ᴋɪᴅs.ᴛᴏ.ᴀɴɪᴍᴀʟs.ᴀɴᴅ.ᴅᴀɴᴄɪɴɢ.ᴘᴀssᴇʀʙʏ.ᴛᴏ.ᴇᴠᴇʀʟᴀsᴛɪɴɢ.ᴛʀᴇᴇs.ᴛʜᴇ.ᴄᴀᴍᴇʀᴀ.ᴜɴʀᴇsᴛɪɴɢʟʏ.ᴄʜᴀsᴇs.ᴛʜᴇ.ɴᴏᴍᴀᴅ.ᴘᴇʀғᴏʀᴍᴇʀs.ᴀɴᴅ.ᴛʜᴇɪʀ.ᴜɴᴜsᴜᴀʟ.ʀᴏᴜᴛɪɴᴇs.
Sᴄʀᴇᴇɴɪɴɢs<<<17/20.2017>>>ᴍᴜᴠɪ.ʟɪsʙᴏᴀ.ᴄʀɪᴛɪᴄs.ᴀᴡᴀʀᴅ<<<14.11.2017>>>sʜᴏʀᴛᴄᴜᴛᴢ.ʟɪsʙᴏɴ<<<23.09.2017>>>ᴜɴᴇʀʜöʀᴛ.ᴍᴜsɪᴋғɪʟᴍғᴇsᴛɪᴠᴀʟ.ʜᴀᴍʙᴜʀɢ<<<>>>ʀᴇᴇᴘᴇʀʙᴀʜɴ.ғᴇsᴛɪᴠᴀʟ.ᴍᴜsɪᴄ.ғɪʟᴍ.ᴄᴏɴᴛᴇsᴛ<<<16.08.2017>>>ᴍᴜʟᴛɪʟᴀʏᴇʀʟᴀᴅᴇɴ,ʙᴇʀʟɪɴ<<<02.03.2017>>>ʙᴀʙʏʟᴏɴ.ᴍɪᴛᴛᴇ@ʙᴇʀʟɪɴ.sʜᴏʀᴛ.ғɪʟᴍ.ғᴇsᴛɪᴠᴀʟ<<<april2017>>>ɢᴀʟʟᴇʀʏ.ʟᴇᴍᴏᴀʀᴛ,
ʙᴇʀʟɪɴ.